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Форум » Оффтопик » Флуд » Balle of the Year (Balle of the Year)
Balle of the Year
toitsJaiffДата: Суббота, 05.10.2013, 23:32 | Сообщение # 1
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"Fight of the Year" discuss just how the remainder of the world gettings accepted b-boy culture, yet how they're no longer perceived as cutting side or cool in the Usa.

That frets the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy prior to hip-hop isn't cool?".

He has to protect his style, music and dancing empire by placing American b-boys back ahead. He hires an old dance pal, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to quicken on the existing state of dancing, then recruit and coach a "desire group" of the very best of America's finest to tackle the rest of the world, which has passed America by and long controlled the annual b-boy Olympics referred to as "BOTY," the Battle of the Year.

That group consists of diverse arrogant, chip-on-their-shoulder showoffs, because that's just what it requires to prosper. Real star professional dancers such as Do Knock and Flipz are combined with others, featuring singer Chris Brown.

And aiding coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.

Benson Lee, director of the conclusive documentary on the around the world sensation, "Planet B-Boy," co-wrote and routed this, and immodestly has characters see that film and vocalize its applauds. Holloway can not also prompt at a real dancing past, so the movie fabricates that by having his coach operate his men through drills (in split-screen series).

Peck, once of TELEVISION's "Drake & Josh," onetime celebrity of "The Wackness," has a small, sustaining part but is offered top billing. In this case, that suggests his every scene consists of overly fabricated and coiffed close-ups. It's laughable.

However tabloid favorite Brown even more than holds his own with this crew, apparently not even requiring a dance double. The dancing scenes-- particularly those including groups from Germany, France and Korea-- take the b-boy moves to the upcoming level.

And there are lots of easy, undemanding laughs, the best lines coming from Peck's assistant coach.

"You look like a gazelle available," he praises his employer. "A gazelle with arthritis." Which, while it doesn't describe the movie, does strike this category right in the bull's eye. Then, the elegance of "Step Up" and all its worn out imitators is that the viewers they're shooting for has no suggestion that there getting been 20 or 30 movies precisely like this one that came before it.


He has to secure his songs, style and dance empire by placing American b-boys back on best. He employs an old dance pal, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to speed on the present state of dancing, after that sponsor and coach a "desire team" of the ideal of America's ideal to take on the remainder of the globe, which has actually passed America by and long controlled the annual b-boy Olympics known as "BOTY," the Battle of the Year.

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